Thor quantum battery isolator relay12/21/2023 We observe how the modular system utilized in the pilot study afforded multiple experiences of shared instrumentality from which new, synthetic voices emerge. The concept of modularity is useful when considering the artistic challenges and possibilities of the Global Hyperorgan. A quartet of performers tested the Global Hyperorgan’s capacities for telematic musicking through a series of pieces. A pilot study was carried out in January 2021, connecting two large pipe organs in Piteå, Sweden, and Amsterdam, the Netherlands. Existing pipe organs around the world are networked for real-time, geographically-distant performance, with performers utilizing instruments and other input devices to collaborate musically through the voices of the pipes in each location. The Global Hyperorgan is an intercontinental, creative space for acoustic musicking. To address such limitations, we discuss a number of less common tools developed within and outside of NIME that focus on dynamic aspects of UX, potentially leading to more informative and meaningful evaluation insights. Overall, these patterns indicate that current UX evaluation strategies do not address dynamic factors such as skill development, the evolution of the performer-instrument relationship, and hedonic and cognitive aspects of UX. While results of this review confirm patterns such as the prominence of short-term, performer perspective evaluations, and the variety of evaluation strategies used, they also show that UX-focused evaluations are typically exploratory and limited to novice performers. This paper focuses on evaluations conducted in the last four years of NIME (2017 to 2020), compares results to previous research, and classifies evaluation types to describe how researchers approach and study UX in NIME. We open-source all of our components.Īssessment of user experience (UX) is increasingly important in music interaction evaluation, as witnessed in previous NIME reviews describing varied and idiosyncratic evaluation strategies. Our system features rhythmic time quantization and a flexible loop manipulation system for creative musical exploration. Our system is based on a novel approach to mapping, extrapolating from using FIR and IIR filters on gestural data to using delay-lines as part of the mapping of DMIs. On top of this infrastructure, we developed MapLooper: a live-looping tool with 2 example musical applications: a harp synthesizer with SuperCollider and embedded source-filter synthesis with FAUST on ESP32. We measured a round-trip latency of 4.81 ms when mapping signals at 100 Hz with embedded libmapper and an average inter-onset delay of 3.03 ms for synchronizing with Ableton Link. We evaluated our infrastructure in the context of the real-time constraints of music performance. We then developed a connectivity infrastructure for wireless embedded musical instruments with distributed mapping and synchronization. We first reviewed loop-based Digital Musical Instruments (DMIs). This paper presents the development of MapLooper: a live-looping system for gesture-to-sound mappings. Proceedings of the International Conference on New Interfaces for Musical Expression. 20 NIMEs: Twenty Years of New Interfaces for Musical Expression. NIME publications (in backwards chronological order) 2021 Contact: If you find any errors in the database, please feel free to fork and modify at GitHub, or add an issue in the tracker.Ethics: Please take a look at NIME’s Publication ethics and malpractice statement.That said, the NIME proceedings are generally ranked highly in, for example, the Google Scholar ranking. Impact factor: Academic work should always be considered on its own right (cf.Each year’s ISBN is in the BibTeX files and are also listed here. ISSN for the proceedings series: ISSN 2220-4806.If you just want to download everything quickly, you can find the Zip files here as well. All PDFs are archived separately in Zenodo, and there are also Zip files for each year in Zenodo. PDFs: Individual papers are linked for each entry below.The list below is generated from a collection of BibTeX files hosted at GitHub using Jekyll Scholar. Public domain: The bibliographic information for NIME, including all BibTeX information and abstracts, is public domain.The NIME archive uses the Creative Commons Attribution 4.0 International License (CC BY 4.0). Open access: NIME papers are open access (gold), and the copyright remains with the author(s).Only papers that were presented at the conferences (as presentation, poster or demo) are included. Peer review: All papers have been peer-reviewed (most often by three international experts).This page contains a list of all publications that have been published at the NIME conferences.
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